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	<title>The Cadillac Of Winter &#187; Dead Prez</title>
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	<link>http://www.thecadillacofwinter.com</link>
	<description>formerly, The Paris Review of Mp3s</description>
	<lastBuildDate>Wed, 07 Apr 2010 23:34:54 +0000</lastBuildDate>
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		<title>Warzone</title>
		<link>http://www.thecadillacofwinter.com/2010/01/25/warzone/</link>
		<comments>http://www.thecadillacofwinter.com/2010/01/25/warzone/#comments</comments>
		<pubDate>Tue, 26 Jan 2010 00:41:44 +0000</pubDate>
		<dc:creator>Black</dc:creator>
				<category><![CDATA[Videos]]></category>
		<category><![CDATA[Dead Prez]]></category>
		<category><![CDATA[Pete Rock]]></category>
		<category><![CDATA[Warzone]]></category>

		<guid isPermaLink="false">http://www.thecadillacofwinter.com/?p=260</guid>
		<description><![CDATA[I&#8217;ve recently reunited with my record collection after three years living without it. On the one hand, the mass of vinyl has caused some difficulties in living space organization with all the other things I&#8217;m reclaiming from storage. But it&#8217;s pretty awesome having them back. I remember growing up with my Dad&#8217;s large home-made modular [...]]]></description>
			<content:encoded><![CDATA[<p>I&#8217;ve recently reunited with my record collection after three years living without it. On the one hand, the mass of vinyl has caused some difficulties in living space organization with all the other things I&#8217;m reclaiming from storage. But it&#8217;s pretty awesome having them back. I remember growing up with my Dad&#8217;s large home-made modular shelving full of records. The first music I ever owned myself was a record: LL Cool J&#8217;s <em>Bigger And Deffer</em>. In many ways I prefer the crisp sound quality of CDs these days. But I often love the tone of vinyl and nothing beats the interactive factor for listening or dj-ing. The whole movement from CD to mp3 has records back in vogue these days and there&#8217;s something very satisfying about holding 180-gram vinyl in your hands. Go with the mp3 for ease and immediacy; vinyl makes music really special.</p>
<p>Among the records I have only in vinyl format is this single from <a href="http://www.myspace.com/peterock">Pete Rock</a>&#8216;s <em>Soul Survivor II</em> featuring <a href="http://www.deadprez.com/">Dead Prez</a> on vocal duties. Nasty. Rugged. Ill. Dead Prez on a club track spitting hedonism in the midst of warzone-like social conditions? Hectic. I first read about it when it was released on <a href="http://www.turntablelab.com/">Turntable Lab</a> and every sentence in the review jokingly concluded with the phrase &#8220;in the club&#8221;. One section gets stuck in my head all day after I listen to it: &#8220;I don&#8217;t even bring ID to the club / Why they need to know my government name in the club? / I ain&#8217;t got no paper for the bar in the club / Already got drunk before I came in the club.&#8221; The production is ridiculously hype switching from half- to double-time throughout and is an incredible example of efficient sample selection. The guitar/keyboard line, tambourine, and strings are used perfectly by a master. By the end of the track, the &#8220;what is Dead Prez doing in the club?&#8221; factor is mostly resolved as ironic, but deadly serious, commentary. &#8220;Why the fuck I came in the club?&#8221; Well, probably because you hoped to wild out on banging tracks like this.</p>
<p>No luck on the mp3 for me. But here&#8217;s the YouTube version&#8230;</p>
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		<slash:comments>3</slash:comments>
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